Los Angeles County Museum of Art (LACMA)

A year-long artwork designed to be experienced on a mobile browser using high-resolution gaussian splats of discarded plastic shoes and sandals collected from beaches across the world.

Twelve artist-designed benches along the Kendall Concourse.

Christina Quarles’s Now We're There (And We' Only Just Begun) (2023) inaugurates a series devoted to working with contemporary artists in the new W.M. Keck Foundation Gallery.

The figure and portraiture across Picasso's career.

Dancing skeletons in prints from Dürer to Otto Dix.

Photography and video.

Four decades of experimental textiles from Reiko Sudo and NUNO.

Traces how the American home of tomorrow was imagined, packaged, and sold through architectural models, drawings, photographs, films, and objects between 1925 and 1985.

Brings two influential kitchens from LACMA’s collection into conversation: Margarete Schütte-Lihotzky’s Frankfurt Kitchen and Charlotte Perriand and Le Corbusier’s kitchen for L’Unité d’Habitation.

A year-long artwork designed to be experienced on a mobile browser using high-resolution gaussian splats of discarded plastic shoes and sandals collected from beaches across the world.

Twelve artist-designed benches along the Kendall Concourse.

Christina Quarles’s Now We're There (And We' Only Just Begun) (2023) inaugurates a series devoted to working with contemporary artists in the new W.M. Keck Foundation Gallery.

The figure and portraiture across Picasso's career.

Dancing skeletons in prints from Dürer to Otto Dix.

Photography and video.

Four decades of experimental textiles from Reiko Sudo and NUNO.

Traces how the American home of tomorrow was imagined, packaged, and sold through architectural models, drawings, photographs, films, and objects between 1925 and 1985.

Brings two influential kitchens from LACMA’s collection into conversation: Margarete Schütte-Lihotzky’s Frankfurt Kitchen and Charlotte Perriand and Le Corbusier’s kitchen for L’Unité d’Habitation.